“The main stages of the creative path. The main stages of the creative path The main milestones of Isakovsky's life path

A well-known Russian poet, the author of words for a number of songs popular among the people ("Katyusha", "Migratory birds are flying", "Oh, the viburnum is blooming", etc.) ... Many are familiar with these and other works created by Mikhail Isakovsky. short biography The poet presented in this article will introduce you to the main milestones of his life and work. Mikhail Vasilievich believed that one should write in a clear, clean, folk language. That is why his creations are perceived by many as folklore.

Origin, childhood

On January 19, 1900, Mikhail Isakovsky was born. A brief biography of the poet will be of particular interest to his countrymen. Isakovsky's homeland is the Smolensk region, the village of Glotovka (Vskhodsky district). The poet came from a poor peasant family. Nevertheless, he studied at the gymnasium for some time. Due to the difficult financial situation, the future poet dropped out of school in the 6th grade to go to work.

Work and social activities

The later years of Mikhail Vasilyevich's life were marked by the fact that he was a teacher, and also took part in the activities of the Council of Peasants' Deputies. Mikhail Isakovsky joined the RCP(b) in 1918. During the October Revolution, he actively participated in public life. Future poet was the secretary of the Volost Council, and then, from 1919, he took the post of editor of the Yelnya newspaper. In the period from 1921 to 1930, Mikhail Vasilyevich lived in Smolensk, where he worked in the newspaper "Working Way". Being already enough famous poet, in 1931 Isakovsky moved to the capital. Here for some time he was the editor of the Kolkhoznik magazine.

First works

Isakovsky, whose biography and work deserve careful study, began writing poetry as a child. His first work was published when he was 14 years old ("A soldier's request" in the newspaper "Nov"). However, Isakovsky himself believed that the beginning of his literary activity dates back to a later period, when ten years later such poems as "Native", "Podpaski", etc. were published. In Moscow in 1927, the book "Wires in the Straw" was published. (author - Isakovsky). A brief biography of the poet since that time has been marked by the creation of many famous works. It must be said that M. Gorky himself highly appreciated the book "Wires in the Straw".

Poems of the Moscow period

The following collections of poems by Mikhail Vasilievich belong to the period of his life in Moscow: "Province" (published in 1930), "Masters of the Earth" (in 1931) and "Four Desires" (published in 1936). These collections contain poems devoted mainly to the Soviet village. It was she who inspired at that time such a poet as Isakovsky. A brief biography of Mikhail Vasilyevich, however, also testifies to his interest in military topics. No wonder, because 1941-45. - an important page in the history of our country. Therefore, at this time, works dedicated to the Great Patriotic War occupied a significant place in the work of Isakovsky. The war years were spent in evacuation in the city of Chistopol Isakovsky Mikhail Vasilyevich. The biography summarized in this article assumes an acquaintance with the creative heritage of the poet. We will talk about it now.

Creative heritage of Isakovsky

For half a century creative activity wrote about 250 poems. The poetry of this author continues the folklore tradition, as well as the line of Nekrasov, Koltsov, Oreshin, Nikitin. Mikhail Isakovsky, in letters addressed to young writers, urged them to write in a clear, pure, folk language. It must be said that the poet himself created poems and songs not only in his native Russian language. Also engaged in translations from Belarusian, Ukrainian, Serbian, Hungarian, Latvian, Polish, Tatar, Ossetian and Italian Isakovsky Mikhail Vasilyevich. The biography (briefly stated) does not imply a detailed acquaintance with his translation activity, although it must be said that it is part of his creative heritage.

Mikhail Isakovsky is one of the most famous and revered of the time. "A Word to Comrade Stalin" is a work by this author, which many Soviet schoolchildren read and learned by heart. Mikhail Isakovsky's poem "Cherry" was also known to all Soviet children.

Nevertheless, M. Isakovsky, whose biography is still of interest to many in our time, entered the history of Soviet literature primarily as a talented songwriter. His poems were first set to music, which was one of the leaders of the choir. Pyatnitsky. In addition to him, such composers as Matvey Blanter, Isaac Dunayevsky, Vasily Solovyov-Sedoy, Boris Mokrousov and others worked with the texts of Mikhail Isakovsky.

"Katyusha"

"Katyusha" is, of course, the most famous song of the author of interest to us. It was for her that Isakovsky received the State Prize of the USSR. At present, "Katyusha" has become a truly folk song. There are more than 100 folklore adaptations and sequels of it. The heroine in them is both a fighter and a soldier's girlfriend who is waiting for him to return home, and a front-line nurse.

Wrote the music for this song. He is also the author of music for the following verses of the author of interest to us: "Golden Wheat", "Better there is no other world", "In the forest near the front", "Goodbye, cities and huts".

It is believed that combat vehicles of the BM series were named after the Katyusha. Like the girl who "started the song", these machines went to combat positions and also sang their "songs".

The premiere of "Katyusha" took place in November 1938 at the House of the Unions. Valentina Batishcheva became the first performer of this song. Soon "Katyusha" became very popular. Other performers began to sing it - Lidia Ruslanova, Georgy Vinogradov, Vera Krasovitskaya, as well as amateur and professional choirs. "Katyusha" was included in the repertoire of many army ensembles. This song was sung in cities and villages, at festivities and demonstrations, as well as at the festive table, in the home circle.

"Praskovya"

Another fruit of the joint work of Matvey Blanter and Mikhail Isakovsky was the song "Praskovya", which is also known as "Enemies burned their own hut". It tells about the return of a Russian soldier from the war to his native village. The song "Praskovya" was written in 1945. It should be noted that at first it was severely criticized by the party for its tragic sound. "Praskovya" was actually banned for 15 years. The first who dared to include this song in his repertoire was It happened in 1960. "Praskovya" immediately received recognition from the Soviet people. It has become, perhaps, one of the most tragic songs dedicated to the Patriotic War.

Other songs by Isakovsky

Many poems were created by the poet Isakovsky. His biography is interesting in that a number of his works have become texts for songs. Many of them are probably familiar to you. In addition to those already mentioned, the following songs on the verses of Mikhail Vasilyevich received great fame: "Seeing", "Farewell", "Oh, my fogs ...", "In the forest near the front", "Spark", "Lonely Accordion" and many others. Compositions from the film "Kuban Cossacks", released in 1949, were very popular. Among them, "Oh, the viburnum is blooming" gained particular fame. Another very popular song from this tape is "What you were, remained so" (M. V. Isakovsky). A brief biography of the poet is marked by collaboration with several composers. For example, Isaac Dunayevsky set music to the verses from this film. These songs immediately became popular, the author of the texts for which is M. Isakovsky. The biography of the poet was marked by national fame already during his lifetime. To this day, Isakovsky's songs are performed at solemn events and feasts.

last years of life

Last years life of Mikhail Isakovsky marked by his public activities as a deputy Supreme Council RSFSR (4 convocations). In the late 1950s and early 1960s, Mikhail Vasilyevich traveled abroad several times. He visited Italy twice, visited France and Czechoslovakia, saw Warsaw and Vienna. In a word, Isakovsky led an active, businesslike lifestyle.

Mikhail Vasilyevich's illness worsened in 1964 (pneumonia, heart attack). In 1970, the poet was forced to meet in the sanatorium named after Herzen, located near Moscow. Central television in January was preparing a program dedicated to the poet's seventieth birthday. Isakovsky himself took part in the filming. His biography ends on July 20, 1973. It was then that the poet died in Moscow.

Brief autobiography

I was born in January 1900 in the Smolensk region - in the village of Glotovka, Oselsky volost, Elninsky district - into a poor peasant family.

He overcame the diploma by self-taught - there was no school in our area. When it finally opened, I finished it in two winters, and in the spring of 1913 I passed my final exams, getting an A in all subjects.

At these exams, which were attended by teachers and graduates of several schools, and where a zemstvo chief and some very important priest sat at the table of examiners, I read two of my poems, including a poem called “M.V. Lomonosov". I remember the beginning:

Lived with us in the past
Lomonosov Mikhail.
I read his outcomes, -
How did he go to study?
He secretly left the house
And no one knew about it.
Like in Moscow with a convoy of fish
He ran after science...

The fate of Lomonosov, whom I learned about at school, the fate of a man who came out of "muzhiks" and became a great scientist and poet, worried me very much. She even seemed to suggest to me that I could do something similar to what Lomonosov did, who left with a convoy of fish from his native village of Kholmogory to Moscow "for science." In my childish naivete, I even attached importance to the fact that my name and patronymic are exactly the same as those of Lomonosov: Mikhail Vasilyevich. It was both flattering and kind of reassuring...

One way or another, but "Lomonosov's poem" made a real revolution in my life. After I read it, everyone present - including those who had simply not noticed me before - unanimously began to say that I definitely need to study further, that I definitely have literary abilities ... In general, I immediately became the "hero of the day."

And I was really lucky to “learn more”, although, unfortunately, not for long.

In the summer of 1915, teacher V.V. Svistunov prepared me for admission to the fourth grade of the gymnasium (by age I could only be accepted into this class, not lower). And in the fall, after entrance exams, I was admitted to the gymnasium F.V. Voronin in Smolensk. For that time, this was an exceptionally rare case: gymnasiums did not exist at that time for peasant children.

My luck also consisted in the fact that the owner of the gymnasium, F.V. Voronin did not charge me any tuition fees, and M.I. Pogodin - a member of the Elninskaya zemstvo council, who was in charge of affairs public education in the county, got a small stipend from the council, due to which I lived.

However, I did not manage to finish the gymnasium: in the autumn of 1917 I was forced to leave it. The reason is material insecurity: by that time, money had greatly depreciated as a result of the war and economic devastation, and it was no longer possible to exist on my scholarship.

After leaving the gymnasium, I taught for some time at the same Glotov school where I had once studied myself. He worked in his Oselsky volost executive committee - either in the land department, or as an assistant secretary of the volisiolkoma.

In August 1918 I joined the Communist Party.

By that time I had published in the newspapers a few correspondence from the village and two or three poems. And, probably, that's why, when Yelninsky party committee decided to publish his newspaper, I - it was in February 1919 - was appointed its editor - "as a person who is quite literate and familiar with the newspaper."

So I became a newspaperman, although of course I did not know newspaper work and I had to comprehend it from the very beginning.

After Yelnya, I worked for ten years (1921 - 1930) in Smolensk in the newspaper Rabochy Put. And iot moved to Moscow, where he edited the illustrated magazine Kolkhoznik, published by the Krestyanskaya Gazeta publishing house. However, a year later I was forced to leave the Peasant Newspaper: my eyes were seriously ill.

I must say that my eye disease began in childhood, and - every year - my vision became worse and worse. It was some kind of curse that haunted me all my life. Eye disease prevented me from studying, working, and just living. She ruthlessly disrupted my affairs and plans, and often completely put me out of action for a long time.

On the "Peasant newspaper" my "track record" is over. All because of the same disease of the eyes, I could no longer bind myself to any permanent official position. He worked only at home, doing mainly literature.

As it has been said before, in my childhood I wrote poetry. However, I consider 1924 to be the real beginning of my poetic work. It was from this year that I began to write not blindly, not at random, not how it would turn out, but with a certain understanding of the matter, with a sense of responsibility, with reflection on what and how I should do and why I should do it.

Mentally, I even made a “program” for myself. I saw, felt, came to the conclusion that the material of poetry should not be some kind of fiction, cut off from life, not some kind of “free flight of fantasy”, but the real reality that surrounds me, that real, genuine life. which people, nation, country live. Moreover, it seemed to me that the poet should take from this reality the most important, most characteristic features of it. They should form the basis of every work.

As for the form of poetic works, I thought that it should be simple and clear, accessible to the largest possible number of readers. This, of course, did not mean at all that the poet should write in a primitive, simplified way. No, this meant that he should be able to speak about even the most complex caves in the most ordinary words and phrases - ordinary, but at the same time capacious, precise, colorful, poetically convincing. Any so-called "complex poetry", or rather, formalistic poetry, was organically alien to me, just as it is alien to this day.

Even now I agree with my “program”, although now I would probably formulate it somewhat differently. My first collection of poems, Wires in the Straw, came out in 1927. The then criticism met him not very friendly. And this, to a certain extent, discouraged me. But soon the “Review” of M. Gorky appeared in the press (that was the name of his article, published simultaneously in the newspaper “Izvestia” and in the journal “Siberian Lights”), in which he spoke very positively about “Wires in the Straw”. The "review" made me happy, strengthened my confidence that I was on the right track.

I published quite a few collections: after the "Wires in the Straw" was the collection "Province", then "Masters of the Earth", then others. But it would be most correct to say that all my life I have been writing, as it were, the same book, expanding and supplementing it with newer and newer works.

Starting from the mid-thirties, songs written to my poems began to appear. Many of these songs have become quite widespread both in our country and abroad.

In my literary work, translations occupied a rather large place. I translated mainly from Ukrainian and Belarusian (verses by T. Shevchenko, Lesia Ukrainka, Yanka Kupala, Yakub Kolas, as well as contemporary Ukrainian and Belarusian poets). But I translated - though not so much - from other languages: from Hungarian, Serbian, Italian ...

Both my individual poems and entire collections were published many times in the languages ​​of the peoples. Soviet Union, as well as abroad: in Bulgaria, Czechoslovakia, Romania, Hungary, China, Italy and other countries.

Questions and tasks

1. What are the main milestones in the life path of M.V. Isakovsky.
2. What seemed unusual to you in the fate of the poet?
3. What works of M.V. Do you know Isakovsky? Why do they attract you?

Milestones of the life path. Bryullov Karl Petrovich 1799 - 1852 - famous painter, master of the portrait genre. The artist's first teacher was his father, an ornamental sculptor.

From 1809 he studied at the St. Petersburg Academy of Arts under A.I. Ivanov and A.E. Egorov, graduated from the academy in 1822 with a gold medal. In 1823 - 1835. worked in Italy, gained fame as a portrait painter. Gorgeous are his portraits and paintings Horsewoman 1832 Yu.P. Samoilova with a governess and a black boy 1832 - 1834. He painted sketches and paintings on mythological and historical themes, genre - on the theme of the life of Italian peasants. The most famous is Italian Noon 1827. Bryullov's main work is The Last Day of Pompeii.

The artist worked on a huge canvas measuring 456x651 cm for three years. In it, he managed to preserve the traditions of academism. Nevertheless, the picture, thanks to Bryullov's desire for psychological truth and historical authenticity, attempts to represent the diverse experiences of the masses of people at the time of disaster, made a stunning impression on the public. In the future, a number of large historical compositions conceived by Bryullov, including the painting The Siege of Pskov, 1839-1947, did not receive the final embodiment. The artist continued to be a magnificent master of the portrait genre, as evidenced by the portraits of N.V. Kukolnik 1836, V.A. Zhukovsky 1837-1838, I.A. Krylova 1839 and others.

One of the best in the late work of the artist is the portrait of Yu.P. Samoilova with her adopted daughter until 1842 Bryullov and pedagogical activity. In 1836 he received the title of professor of the second degree in 1846 professor of the first degree. He taught at the Academy of Arts.

It was considered an honor to study with Bryullov, since he was a wonderful teacher, he was interested in the success of each student. Bryullov's health was deteriorating, and in 1849 he went abroad for treatment. Traveled to Germany, England, Spain. He died in Italy of a heart attack and is buried in a Roman cemetery.

End of work -

This topic belongs to:

K.P. Bryullov - portrait painter

His paintings are kept in the Russian Museum of St. Petersburg, in France, Italy, Germany. During his life journey, he knew glory and triumph. He was .. Due to his wayward character, he was able to refuse an order for a portrait .. The main objectives of this essay 1. To study the creative and life path of the great artist K.P. Bryullov.

Composition

At the end of his career, Mikhail Vasilievich Isakovsky wrote an autobiographical book “On the Elninskaya Land” (1969). It tells about the main stages of his creative path. The future poet was born into a poor peasant family in the Smolensk region. The circumstances of his life were such that if it were not for the revolution, he would not have been able to get an education and the dream that arose in childhood to become a writer, a poet, would have remained unfulfilled. Literary activity of Isakovsky began in the newspaper of the small town of Yelnya near Smolensk. He himself considers 1924 to be the beginning of poetic creativity, although he began to write poetry very early.

The first collection of Isakovsky's "Wires in the Straw" was published in 1927 and was noticed by M. Gorky: "His poems are simple, good, very exciting with their sincerity." In Russian poetry, Isakovsky is one of the direct and consistent successors of the traditions of N. A. Nekrasov. And the point here is not only that both wrote a lot about the village. Like Nekrasov, Isakovsky is not a peasant poet, but a folk one. As you know, the creative heritage of the Russian classic is very rich in terms of genre: he wrote poems, songs, elegies, satires, etc. Isakovsky also worked in many genres, but achieved particular success in the song. Truly universal, legendary is the glory of his “Katyusha”! Who does not know his songs “Farewell”, “Spark”, “Migratory birds are flying”, “There is no better color” and many others!

* An important remark about Isakovsky's songs was made by his countryman A.T. Tvardovsky: “The words of Isakovsky’s songs are, with few exceptions, poems that have an independent content and sound, a living poetic organism, as if suggesting the melody with which it is destined to merge and exist together. Isakovsky is not an “author of texts” and not a “songwriter”, but a poet whose poems are organically inherent in the beginning of song, which, by the way, has always been one of the important features of Russian lyrics.

The secret of the widest popularity of Isakovsky's songs and poems is partly revealed when you get acquainted with his creative laboratory. He believed that one should “be able to speak even about the most complex things in the most ordinary words and phrases - ordinary, but at the same time capacious, precise, colorful, poetically convincing.” But the main reason for the universal love for his work is the complete fusion of the thoughts and feelings of the poet and the people. In this regard, the verses of the Isakov period of the Great Patriotic War:

* And I, like a banner, raised this word,
* The living word of my heart.
* And I call that in the days of the severe struggle
* None of us forgot him.

And indeed, at that time, literally every word of the poet resonated in the hearts of people - let's remember "In the frontline forest", "Russian woman", "Oh, my fogs ..." and much more. In the postwar years, the activities of Isakovsky as a translator intensified. More often than others, he translated Belarusian and Ukrainian poets - Y. Kolas, Y. Kupala, T. Shevchenko, L. Ukrainka. Isakovsky is the author of the book “On Poetic Mastery” (1969), where he, addressing young people, spoke about the experience of his creative work.

Ministry of Education of the Russian Federation

municipal educational institution

aesthetic gymnasium

Literature examination essay

Smolensk region

People's Poet

The work of a student of grade 9 "B"

Dzhurinsky Sergey

Supervisor: Selivanova M. P.

Smolensk

Plan:

Introduction.

I The small homeland of the poet

1. “I grew up there, among the meager fields,

Where all the ways were lost in the fog … »

2. The role of the poet's father in his knowledge of the world around him.

3. The origin of the genre of "lyrical writing" in the work of Isakovsky.

4. Years of schooling. First steps in the literary field. First teachers.

5. Ginazit Isakovsky during the revolution.

II Stages of a long journey

1. The formation of Isakovsky as a poet during the Civil War.

2. The influence of various poetic trends on the poet's work.

3. The first literary collections. Isakovsky's poetic style.

III The creative maturity of the poet

1. Chronicle of the war in the lyrics of the poet.

3. Prose, folklore, letters, articles - as a literary gift of Isakovsky.

4. The last years of Isakovsky's life

Conclusion.

Introduction

Why, out of many Smolensk poets, good and different, did I choose Mikhail Vasilyevich Isakovsky? Yes, because in the extraordinary fate of an ordinary peasant guy, who merged with his native country with his heart, all the stages of her path were reflected, and he grew into a beloved poet of millions. From Pushkin to Nekrasov and from them to Yesenin, Tvardovsky, Isakovsky, one of the most fruitful ideological and artistic lines of Russian poetry stretched - the line of organic folk, artistic perfection, clarity and simplicity.

Boundless are the manifestations of human beauty, with extraordinary diversity it manifests itself in life and in art, in particular in poetry. There is beauty quite “simple”, the most ordinary, at first glance even inconspicuous, but upon close contact with it, it touches the soul with its artlessness, naturalness. Such inconspicuous, discreet beauty marked the quiet and gentle lyrics of Mikhail Isakovsky. Here the poet speaks of the departed spring of his youth:

My non-gold passed,

My unvoiced, passed.

And let her be like this -

She is so sweet to me.

These light and sad poems reflected not only a particle of life, but also the aesthetic position of the poet. Outwardly dim, emphatically modest and simple poetry conquers him with inner strength, moral freshness and purity, organic musicality - qualities that are so dear to us in our stormy and disturbing time.

In Russian poetry, Isakovsky remains the keeper and successor of classical and folk song lyrical traditions.

Poems and songs of Isakovsky, imbued with warmth and kindness, stronger, deeper than other loud phrases and stormy rhythms stand up for the great goals of our society, for human perfection and beauty.

Isakovsky's poetry has long been an integral part of the spiritual culture of the Russian people.

In my essay, I will talk about the life and creative work of Isakovsky, about how he was formed, how his skill grew, with what aesthetic values ​​he enriched Russian poetry.

I Small Motherland of the poet

"I grew up there, among the meager fields,

Where all the paths were lost in the fog ... "

When great changes are brewing in everything around us and the voices of a new life seem to be already floating in the very air, the artist of the word has the great right to speak in the language of sharply unusual images, unusual rhythms, to “break” the familiar and directly, frankly turn to the search for novelty, to make new, unprecedented with its password.

But there is another right - to talk about the new in the language of the fathers. Do not break anything on purpose, do not come out with manifestos about the liquidation of the language of the classics, do not make statements about obsolescence, voicelessness or burriness of iambs and trochees. With the same word that spoke of the grief of the people, with the same verse that conveyed so many cries and painful groans, which was the echo of so many ruined lives, so many sad, dreary hopeless tunes - in the same language, with the same verse, speak of a new one, extraordinary.

One of the remarkable Soviet poets who, from the very first steps in literature, quite consciously continued the traditions of Russian poetic classics, was Mikhail Vasilyevich Isakovsky. He showed that speaking the "same language" in the art of poetry is not only a difficult task, but also a truly innovative one.

Mikhail Vasilyevich Isakovsky - the creator of modern folk song. Born and raised in a poor Smolensk village. Native land of M. V. Isakovsky - Smolensk region, the former Elninsk district, the village of Glotovka. The poet was born there on January 7, 1900; Forever, the poet clung to his native land with his heart and more than once sang them in poems and songs: “There is such a village in the Vskhodsky district where I left my childhood, and wherever I went, her warm, affectionate voice sounded to me without ceasing” .

Is it not in this love for one's native places that the origins of the sincere poetry that permeates all the patriotic lyrics of Mikhail Isakovsky. The poet himself spoke about this: “Yes, I was born and raised in the Smolensk region. And although I lived there in total less than in other places, the Smolensk land still remains for me the closest, the most dear. And this is not because I love that big, great land less, which we all call our mother - the Motherland - the Motherland with a capital letter ... The point here, apparently, is something else. The places where I was born and raised seem to me the most dear and unforgettable, because there, as it were, a part of my life, a part of myself remained there. There - in these Smolensk places, that which later became the goal of my life was born and arose - my poetry arose. It is she, the Smolensk land, who gave me her thoughts, her melodies, her words, her colors.

This love was not easily born. Through sorrows and darkness the poet carried it in his heart.

The pre-revolutionary Smolensk region was a deaf and poor region. Even in the name of Isakovsky's native village there was something gloomy and unpleasant. There was a legend that in ancient times the rich, greedy peasant Glot, who oppressed the poor peasants, was the first to settle in these parts. It was a hopeless provincial wilderness, which Isakovsky himself later recalled:

"I grew up there, among the meager fields,

Where all the paths were lost in the fog,

Where are the mothers, cradling children,

They sang about their bitter fate in advance.

Isakovsky's parents were poor among the poor. Of their thirteen children, only five survived. Michael was the penultimate child. The family did not make ends meet. There was not enough bread grown on a piece of land until the new harvest, there was nothing to feed the family in the winter.

For the rest of his life, the memories of a bleak, hungry childhood crashed into Isakovsky’s sensitive soul: “A bitter, bitter childhood in a land where“ the land is stingy for the harvest, and there is no such land itself ”, in an area where even a splinter was saved and“ in the evenings no fires are lit anywhere.” And then there's that incurable, damned eye disease.

The role of the poet's father in his knowledge of the world around him.

But the growing boy Misha also had bright moments in his life, which did not allow the flaming light of poetic talent to die out. Father Vasily Nazarovich played a big role here - a zealous worker and a plowman, and a stove-maker, and a carpenter, an enterprising, economic man.

In order to feed a large family, in the fall, after the end of agricultural work, he went “on a hike”, i.e. in search of earnings. He did not spare his feet and, according to the poet's stories, he traveled almost the entire country - the Smolensk region, Belarus, even reached St. Petersburg. He possessed the makings of a letter and eventually got a job as a postman in the neighboring village of Oselye, where the volost government was located.

Vasily Nazarovich thought a lot about the future of his son, sought to give him an education, to reveal to him the world. His work at the post office contributed to this. Every week he went with the mail to the Pavlinovo station, often taking his son with him on a trip. These trips for a peasant boy from a remote village were an acquaintance with a large, previously unknown world. For the teenager Isakovsky, it was a joyful event to see a train and a telegraph at the Pavlinovo station.

The origin of the genre of “lyric writing” in the work of Isakovsky

There was one more important consequence trips to the station. Thanks to the newspapers and magazines that his father brought from the post office, Misha became self-taught to read and write, learned to read and write on his own. Again, my father helped me learn to read and write. Mikhail Isakovsky became, in his words, almost the only literate person in the entire district. From the surrounding villages, illiterate peasants came to him with a request to write letters for them to their relatives and friends. These were the first literary works» a ten-year-old boy. He wrote, according to the opinions of the villagers, “well, well-organized and, most importantly, “pitifully.” Especially, as Isakovsky later recalled, he was trusted to compose letters to their husbands and relatives by illiterate soldiers and other women offended by fate.